John Crouse & Jim Leftwich ACTS 900 - 933
ACT NINE HUNDRED
scandalmonger carrion tonnage: “orchestrated object reduction.”
groove topple vividness: “tropical legume portal.”
determination fuzz devilment: “rift torrent newsprint.”
animate superior disband: “inguinal labor stand.”
herald insanitary lubber: “condiment ovid sponge.”
carelessness negotiate original: “cartoon apple buzz.”
revamp shackle lifetime: “periodic sanguine goat.”
topmost superciliously current: “shock cilia saturnine.”
wattage saturated crafty: “seminal prefatory embolus.”
archbishop specimen temporal: “gravy auctorial parch.”
authority prefab oleaginous: “garage penthouse camper.”
heavyset gambol electroplate: “unless heretical animals.”
ACT NINE HUNDRED ONE
I propose a critical, non-violent attack of text and sound upon The Corporate Form. — Michael Peters
mispronounced artifact gimmicks: “cadenza graves bush.”
paucity ironically canonical: “cherish collectible barely.”
congratulations array encore: “phrasal vibrant piano.”
capitulate drums pizzicato: “score canons gymnast.”
synchronicity spastic vibrancy: “artifice ironic disarray.”
careerists samplers phrases: “drummers spasm sample.”
recurring lamentable bares: “lament erased trails.”
documented erasures collections: “orchestral cadenced scatter.”
candor trills cherished: “apologetic tuneless shenanigans.”
shenanigans orchestrate brush: “candid documents recur.”
timeless cadence graves: “career synchronic capital.”
unapologetic scatters cadenza: “congregations paucity pronounced.”
ACT NINE HUNDRED TWO
Every text takes shape as a mosaic of citations, every text is the absorption and transformation of other texts. — Julia Kristeva
exhaltation canvas suicidal: “embryo dizzy spanner.”
psychological tempos lithe: “microscopic archetype modernist.”
doubt envelopes thesis: “brief testimonial lapse.”
laptop rare boggles: “doubtless psychology exalts.”
testimony merit collision: “canvassed temporal envelope.”
brevity reprehensible flares: “superstring stretched brane.”
postmodern dynamic postmodern: “enclosed stringy theory.”
archetypal market parlor: “dynamite marketing replica.”
microscope replaces tone: “justice brokered fetters.”
span just faces: “thesis collusion rarity.”
dizzying broken fugal: “postmortem parlous tonic.”
embryonic kettles groove: “facial frugal grove.”
ACT NINE HUNDRED THREE
The twentieth century, in its violence, has brought about the marriage of Poetry and History. — Hélene Cixous
bebop thirsts jeopardy: “culture proven fatality.”
fez shame goosing: “dreamed demotic mercy.”
homemade sobering concept: “risks flawed reduction.”
redux traps explanation: “homeland fizzle shopping.”
flawless contrast colludes: “first harmless saber.”
tasks placate uptempo: “traipse context plasm.”
mercifully drinker wounds: “shrinking funk memento.”
thematic chunks wounds: “documents tsunami disaster.”
deemed momentum bugle: “failed narration schedule.”
fidelity documentation schedules: “bungled sounds found.”
disproved tsunami narrative: “temporal collusion explicit.”
cultural roster failure: “conceptual guess jalopy.”
ACT NINE HUNDRED FOUR
I’ll not write any poem of acquiescence. — René Char
genre lifeboat stutter: “textual kelp gloss.”
deposits drudgery interstellar: “dizzy sparse starlings.”
gorging pews jelly: “pristine coliseum jasmine.”
jazz secretion weasels: “gorgeous disposition generous.”
colossal prattle exhibitionist: “living smudged spews.”
presto fools errands: “sedition rattling tools.”
starlight indulgent walnuts: “indigent mantle impervious.”
spores maneuvers cavorting: “brutal vanity smog.”
giddy pervade tonic: “stuttering stellar belly.”
glossolalia brutish magma: “greased exhibit errata.”
yelps vainglorious loops: “walrus cavernous phonics.”
textbook smug brogue: “plasma snoops rogue.”
ACT NINE HUNDRED FIVE
I’m trying to write the modern world, which requires rewriting it. — Leslie Scalapino
randomness package saddler: “tentacle receding onward.”
tantalizing nuggets obstacle: “glistening spagyric lips.”
ivory tower proceeds: “manifest nothings vermeer.”
amplification backward onion: “phoenician spirit stiletto.”
manning shining listeners: “bet funereal conscription.”
spade a spade: “made spanning fictions.”
conspicuous drift flippers: “ironic tantalus random.”
funion alumni manipulation: “packaging nugget flowers.”
yet fleeting jugglers: “forward shimmering rift.”
dilettantes emergent nothings: “lovers of arts?”
spit bubbles snafu: “luminous feet merger.”
phonics sluge veneer: “biblical sluice ladder.”
ACT NINE HUNDRED SIX
All politics is made with texts. — Michel Butor
pagentry ultimately rimrock: “flock positrons alchemical.”
difference majority punch: “brokerage to punish.”
bouquet apparent splices: “salient tremor tweak.”
obstacles modish sugar: “billfolds diverse resonance.”
babbles gave muscles: “lurking pustule surety.”
humbug debris clunkers: “spiced lunch revenant.”
annoyance mocked resounding: “rigid blisters dice.”
phonemes juxtapositions divers: “sober genomes buoyancy.”
slobbering alchemy billboards: “hamburger bubbling octopus.”
diety broke beakers: “banquets different pages.”
listen to extremity: “ultimate multiplicity appearance.”
rigged penis sail: “modernist grave debriefed.”
ACT NINE HUNDRED SEVEN
Intuition can be trained. Appropriation is my way of training. — Scott MacLeod
genocide among writers: “fictional introspection front.”
prefab auteur heart: “editorial score flippant.”
token sneak potential: “rash quincunx fog.”
wunderkind lap dog: “potent art rewritten.”
fascist centrifuges quintet: “mutagenic wrenching plots.”
award material thrashes: “flip textual garbage.”
cardboard sequin flippers: “warden facile wonderment.”
texan warhead core: “broken prefatory genes.”
flopping neglects editions: “among automatic peaks.”
riot police fonts: “wrap fugitive materiality.”
wrench bombings retrospective: “sequential war relics.”
transmute beak fictions: “political bombs speak.”
ACT NINE HUNDRED EIGHT
To be at odds with his times — there lies the raison d’etre of the artist. — André Gide
fidelity applaud thunderclap: “sleek, credible tooth.”
mercenary polyester wasteland: “sleeping partitioned loops.”
chopper ham cement: “moth vintage maintenance.”
loathsome transaction mainstram: “inclement wastrel plunder.”
dwarfing that evinces: “clipped barking sings.”
successes nuclear behemoths: “apothecary punctuation rupture.”
corrupt hails retools: “cessation wharf loam.”
contrapuntal blurs credo: “shop mercantile vitality!”
hypothetical chromosome leek: “applesauce polysemous sham.”
rings gains lops: “transduced hat unclear.”
parking lot nutrition: “failure slurs chromatic.”
eclipses gulls jeepers: “reigning lottery null.”
ACT NINE HUNDRED NINE
It is not the crocodile’s job to yell: “Watch out for the crocodile!” — Henri Michaux
ivory vamp calligraphy: “beats flew antithesis.”
unspontaneous improv dong: “shrill communal electricity.”
disjunction thickest bores: “membranous null rack.”
clean happening flower: “parsed road cleanser.”
broad strokes drama: “disjunct spontaneous irony.”
intersperses weilding palette: “hopeful striped wedding.”
cracked feet cooler: “damp improvisational thicket.”
lulling new math: “rusty moose pension.”
brain anathema beanpole: “ideological hairless forks.”
electric trust uniform: “beak moth puller.”
community smoother hair: “pale dramatic flux.”
quill pen ideology: “scores longing graphemes.”
ACT NINE HUNDRED TEN
About the most originality that any writer can hope to achieve honestly is to steal with good judgment. —Josh Billings (Affurisms, 1865)
kristevas texts take: “gandhi spiders furnished.”
shapes careering shocks: “aggregate flotation twigs.”
form fitting windtunnels: “exilic guardian bluster.”
blasting would dynamic: “from ships cistern.”
regardless mosiac turd: “text careening flutters.”
exiting bares anal: “wounded mosque barrens.”
stigmata brunt pictograph: “burnt into totemic.”
notation to pictorial: “truthful thickets cognition.”
assay to photo: “plots jagged quotations.”
finish trooper citations: “phoneme, picture, grapheme.”
speeding tickets pegged: “banal worlds dynamism.”
gauges recognition plops: “funnels shocking taste.”
NINE HUNDRED ELEVEN
The more plural the text, the less it is written before I read it. — Roland Barthes
chars every character: “once his heart.”
lettermen boldprinting embracing: “implicitly poems want.”
bounds rites contrary: “ravenous poetics quiescent.”
claiming writs instances: “sings heard door.”
inescapable gangbang or: “stands contrarian braced.”
its martian hes: “chances everted charter.”
characterizing lipserving kings: “writes rogation unwittingly.”
common tongues queens: “what comatose ratchet?”
twats only poem: “his escarped lamentations.”
unwritten is brave: “boundary letteral chance.”
notation he wont: “verbal, printed rituals.”
write complicit poem: “tongues motion swerve.”
ACT NINE HUNDRED TWELVE
Connections between unconnected things are the unreal reality of Poetry. — Susan Howe
scalapinos modern world: “noon laudanum zone.”
requires pronouns rewritten: “drifts requisite meanings.”
trying rewrites tying: “hogman maxey hammer.”
down inside outside: “letters cloven word.”
accordingly left leaving: “sounds calling lions.”
times getting later: “sets modal thin.”
than presents hogtie: “rhymes chordal dawn.”
modern writs requirements: “tryst requiem scalp.”
unsettling first drafts: “mode prolegomena rite.”
billions to one: “outside cleft bets.”
cancelling last laughs: “presently wrist fist.”
second to none: “tone clast tonic.”
ACT NINE HUNDRED THIRTEEN
To give the theatre its true measure, which lies in going to excess, the words themselves must be stretched to their utmost limits, the language must be made almost to explode, or to destroy itself in its inability to contain its meaning. — Eugene Ionesco
cixous marriage is: “an other self.”
anniversary as caveman: “ as same since.”
fucking by todays: “sense others once.”
parkbench is violence: “remainder as telephones.”
as condo mans: “spin historicity poets.”
sucking by cavemans: “clench truckers gas.”
benchmark is likewise: “pork flocking vestibule.”
poetry is likewise: “suit martial cash.”
history if ones: “but incommunicado bistro?”
in the ether: “historical gifts, then?”
ones the same: “serious sarx buckles.”
as the other: “serial animist flicker.”
ACT NINE HUNDRED FOURTEEN
Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness - and our ability to tell our own stories. Stories that are different from the ones we're being brainwashed to believe. — Arundhati Roy
peters corporate form: “words ripe, attached.”
is neither as: “much as either.”
such it welcomes: “corporeal weather, spit.”
attacks of any: “love, or knot.”
stripe or make: “love abounds, nudged.”
work hot air: “read tempest foams.”
sense of purpose: “porous proper width.”
texting sounds full: “cooks null purposive.”
filling fudged books: “fair lake anima.”
and heads with: “combs lash norm.”
ambient tempers proposals: “porous ambiguity hand.”
corporate form incorporates: “full textual, spent.”
ACT NINE HUNDRED FIFTEEN
There is no proof that the flea, which lives on the mouse, is afraid of the cat. — Henri Michaux
butors all politics: “wide, sly horses.”
made with texts: “meals wreckage, grub.”
politics make text: “spelling induced production.”
made with sand: “towards totalized conduction?”
blown by wind: “adduces clock, wanders.”
all houses with: “if finding, stands.”
cards deal hands: “next textured politician.”
on deck cock: “futile facsimile bonding.”
tease glib seduces: “grease once bards.”
binding spells reducing: “fallen lawn, shade.”
facile reductions to: “political, faded buttress.”
facile reductions to: “small pith cake.”
ACT NINE HUNDRED SIXTEEN
A word is a bottomless pit. — Lyn Hejinian
macleods training way: “feeling steadies theory.”
appropriates being in: “seeps randy cries.”
world with eyes: “short histories fit.”
open calling seeing: “eyes whispering culls.”
His way instead: “knotty gist sway.”
of saying the: “love this, openly.”
Way he sees: “words pirate clouds.”
is his and: “raining beings, just.”
not his eyes: “falling wayward splay.”
calling the shots: “hearts justice is.”
his so his: “then soaking ash.”
I has it: “anyway thinly why.”
ACT NINE HUNDRED SEVENTEEN
What I want of my art I can eventually find. The work must go beyond this. — Eva Hesse
gides odds times: “as also buoys.”
describe millions high: “conical breath dance.”
tides ravage living: “arts give showing.”
on streets working: “cleave drier prosthetics.”
in cubicles undergoing: “needs workers leaving.”
chemo pulling weeds: “once giving, deft.”
hungering slaving prostituting: “lining hurtles lunging.”
hurting waiting crying: “chemical, then gone.”
pining loving leaving: “wide inscriptions glide.”
left coming going: “sadly mulling savagery.”
living breathing lives: “sheets icicles puling.”
everyones an artist: “lavish bait, gloves.”
ACT NINE HUNDRED EIGHTEEN
May words cease to be arms; means of action, means of salvation. Let us count, rather, on disarray. — Maurice Blanchot
michaux croc hasnt: “knotted huts, sleeping.”
any need to: “clatter tall selves.”
yell least of: “loves to haunt.”
all about itself: “looking leaves having.”
most of all: “the flits fit.”
is the fatter: “his ghost mall.”
it gets keeping: “spells zany mischief.”
its trap shut: “flock seed yeast.”
the crocs not: “about love, then.”
having a job: “sets trap box.”
leaves henris argument: “as many forks.”
looking for one: “once agreement sobs.”
ACT NINE HUNDRED NINETEEN
The act of writing poems, we all know is a revolutionary act. And mailing is now also the activity of the revolution only. — Mike Basinski
conjoin alternates drowsiness: “copy write phoneme.”
numerology spokes madhouse: “manifold binary toxins.”
writers for sources: “alfalfa dispassionate teleportation
tetralogy ceramics papers: “exorbitant mantic capers.”
visceral blockage shaman: “resourceful mud dowsing.”
karate meditation exorcist: “rest dish bird.”
thirsty knocks telepathy: “fiscal noun thirst.”
nowadays proper passion: “crate viscera logic.”
financially fake phenomenon: “written numbers jointly.”
birdbath copyright alzheimers: “tunes spoken forks.”
dishonest microphone toxicity: “ramous locks mediate.”
restroom manipulated bicycle: “not pepper cake.”
ACT NINE HUNDRED TWENTY
A line of poetry is a chance to get rid of all the filth that clings to language, to get rid of language itself. I want the word where it ends and begins. Dada is the heart of words. — Hugo Ball
The true Dadas are against Dada. — Tristan Tzara
twists monotony permits: “flammable throngs mutation.”
propel concocts bludgeon: “dolorous reading flutters.”
orientalist bunting triptych: “porous salient drone.”
brilliant yells clone: “trickles blood persuasion.”
saccharine pointillist saliva: “imminent fluxus loiterer.”
gallops ambitions stupors: “smoked yucca panders.”
panda underscores flattering: “lopes marine chatoyant.”
impeccable regains heads: “rental pelican wistful.”
smudges sonority donor: “monochrome conducts blunts.”
cloying moonwalk citation: “sells pointed ambergris.”
defuses throats songs: “excoriate gainsaid sonorous.”
eminently hopscotch unconsumable: “moody goats couch.”
ACT NINE HUNDRED TWENTY ONE
We can move no faster than the evolution of our language. And this is certainly part of what the psychedelics are about: they force the evolution of language. And no culture, as far as I am aware, has ever consciously tried to evolve its language with the awareness that evolving language was evolving reality. — Terence McKenna
magazine into tunnels: “scumbled, where trickles.”
changing bad writing: “manic phases stand.”
printed skewed senses: “decoy brackets morpheme.”
progressed bullshit crowns: “mentation presently subcultural.”
deriving folksingers autopsy: “topical around sensitive.”
psychedelic collage subwoofer: “rewriting funnels into”
hippie to present: “more precisely, past.”
whistling scum augmentation: “gopher cocaine lash.”
redundance werewolves choreography: “dance bristling psyche.”
lathe gastric sockets: “rivers undressed print.”
karaoke panic decal: “clanging zines balding.”
gorilla laser glands: “askew folks montage.”
ACT NINE HUNDRED TWENTY TWO
Metaphor is the insertion of (possibly) random items within multiply ambiguous syntactic frames. — Jean-Jacques Lecercle
fleas chutney winner: “apricot versus onion.
renaissance sightings uproars: “hatchet edge catholicity.”
unspooled twitch murky: “woody guthrie guitar.”
nautical volcano deferment: “machine kills fascists.”
discards erudite buzz: “photo from 1940.”
craters walnuts echelon: “magnanimous, ethical business.”
showbiz seamlessly monastic: “watery cardiac nautilus.”
gothic rehearsal click: “artery cadillac autism.”
smegma lecture corrosion: “artillery camellia auteur.”
wasps nadir boogie: “artisan pillow authority.”
wedge superhero mycologist: “thinly upset perks.”
ratchets obese purgatorial: “defilement fuzzy eschaton.”
ACT NINE HUNDRED TWENTY THREE
The advantages of civilization are offset by the way men profit from them: men today profit in order to become the most degraded beings that have ever existed. — Georges Bataille
cathedral snake skin: “shave the razor.”
edit jettisoned barge: “coastal droops shimmer.”
chrome gulps consensus: “belief platters sensorium.”
cloverleaf moments splatters: “bricolage rogue parking.”
brainwashed to believe: “tarmac host pickled.”
bombardment opt shimmy: “bombs reign over”
prickles circumnavigate drones: “roman diction cathected.”
roast buzzcut charcoal: “snack jetsam gulfs.”
tartan echoes disingenuous: “momentary true cops.”
sparking naked calliope: “circumspect fuzzy shoes.”
renegade preservatives snuff: “cake servitude fiddle.”
brack riddle razor: “sniff collagen generative.”
ACT NINE HUNDRED TWENTY FOUR
Definition: ‘Pataphysics is the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments. — Alfred Jarry
hanging gather solar: “facticity brackish sharpie.”
collage malls scrapes: “loss pithy freckles.”
bee ocean eyeball: “codes toque salted.”
rubber band acidic: “irenic grape soda.”
metal regret ashes: “opines clash acid.”
hospital game opaque: “fire printers golem.”
absorbers broilers assaults: “jests several adverts.”
severed passivity torque: “hospice mentally robber.”
jeers hawk coda: “beans collegial fang.”
mongoloid vacuum necklaces: “rather tall panopticon.”
printshop embraces pity: “bonds remit same.”
free sharpness lockstep: “roiling passage jaws.”
ACT NINE HUNDRED TWENTY FIVE
Since I make the rules, I also feel free to break them. — Rosmarie Waldrop
dirigible lip yields: “yields thrill sequencing.”
bottomless pit alleges: “yields suffocations elected.”
hellish volumes gatekeeper: “yields enhances receding.”
savage thickness revolutionary: “yields drunken capsules.”
capsules haven playbacks: “yields savage hells.”
dunks genesis pervades: “yields bottomless dirigible.”
receding skulls texture: “yields lip pit.”
enhances tonality gongs: “yields volumes thickness.”
elected tourniquets lisps: “yields haven genetics.”
suffocations salty respun: “yields skull tonality.”
sequencing claws exotica: “yields tourniquets faultline.”
thrill seeker birthmark: “yields laws seeker.”
ACT NINE HUNDRED TWENTY SIX
All theory is safest ascribed in retrospect. — Lyn Hejinian
deprive of oxygen: “deprive of crisis.”
can be trained: “deprive of piracy.”
heart of words: “deprive of diagnosis.”
absentmindedly telephoto hiccups: “deprive of avant.”
colitis urban bulk: “deprive of sheep.”
may words cease: “deprive of emergence.”
radiation slippery tweets: “deprive of heliotaxis.”
choruses python jetstream: “deprive of slippers.”
diagnostic helicopter voids: “deprive of worlds.”
orchestra emergency average: “deprive of hiatus.”
parasite shepards motif: “deprive of membranes.”
crisis avant quakes: “deprive of oxyrhynchus.”
ACT NINE HUNDRED TWENTY SEVEN
There is always something grammatical about delirium, and there is always something delirious about language. — Jean-Jacques Lecercle
time sensitive typhoon: “yours meaning cut.”
ball drop cheers: “cuts morse slips.”
addicted to slayed: “traps cut monad.”
dick clark philosophy: “toehold theosophical cut.”
ventiloquism spiriitual hoedown: “cuts layered hears.”
kirkuk bean gonad: “sensitive cut drapes.”
corpse flag jockstrap: “dark spirals cut.”
champagne rastafarian hips: “cut meaningful flags.”
attitudes for more: “pasta cut forked.”
smile cold cuts: “sold mulling cuts.”
photos millions me: “cut glut hippie.”
hippi glue yours: “photogenic cut simile.”
ACT NINE HUNDRED TWENTY EIGHT
support is boosting: “cage swanlike peugeot.”
rebels sign peace: “ostracism hairy sphinx.”
message of democracy: “heresy catchword neither.”
as home demolitions: “warmonger airtight analyst.”
so many supporters: “stub foliate digest.”
speech after speech: “caption fascist bassinet.”
goal of statehood: “lubricant matchmaker faculty.”
assault rifles hoited: “bike syringa ligature.”
most wanted man: “rampage stencil mailman.”
to thunderous applause: “apparatus calcined furtive.”
publicly to urge: “fleck stifle grasp.”
urge a halt: “pygmalion bride crux.”
ACT NINE HUNDRED TWENTY NINE
during previous rounds: “filmmaker query mask.”
and natural wealth: “dysplasia tussle cavalry.”
not acted to: “landlord downriver quay.”
to the pledge: “swordplay pepper launch.”
them and how: “magnet dialectic religion.”
had not spilled: “sear textual toward.”
responsible for implementing: “puddle cusp deceptive.”
cleared the way: “thespian servitude athlete.”
embraced by gunmen: “hydrant depict augustine.”
would be funded: “downgrade cedar sinewy.”
ACT NINE HUNDRED THIRTY
president thinks his: “garage telepathy exit.”
adds to memory: “lenient gloss amble.”
fresh pledge from: “octopus attentive insulin.”
efforts shifted into: “dismal liturgy wooden.”
rain fell over: “chime squalid caloric.”
to the joy: “aerosol common chicken.”
from the skys: “chicory soapsuds fixture.”
helicopters touching down: “cranium string onion.”
big and small: “infield cranberry droplet.”
triggering flash floods: “instinct treetop motley.”
death toll from: “sunken cortege medici.”
full of grace: “trilobite carnegie pendant.”
ACT NINE HUNDRED THIRTY ONE
anthropologists wall blood: “schema and face.”
personal tsunami chat: “yardangs public persona.”
mystery kangaroo ricecake: “singularity skin anybody.”
bathtub murderer storage: “thinks multitude broken.”
knock him out: “uneven fragment between.”
smashed wind underwear: “cut symbol smooth.”
mary poppins candidly: “key becomes nothing.”
world leaders try: “abstract, hollow statesmen.”
thugs is poor: “noisy beyond growth.”
odyssey under attack: “green, indeterminate nuances.”
brutal liars vote: “thoughts think nothing.”
commander danger increase: “crossroads weather blank.”
ACT NINE HUNDRED THIRTY TWO
piston poultry stump: “skin map gravel.”
glut valuables applause: “saturated chaos progressive.”
blind fetus pump: “entire narratives mad.”
students trim utopian: “channels sound oblivion.”
valedictory utensil valence: “history like hues.”
visionary hudrogen cowpox: “opposite culmination surplus.”
discharges graduating hedges: “heaping books forgetting.”
uterine implement farewell: “clear, wrinkled antiquity.”
commencement atoms vapid: “gnarled hand difference.”
embryo inhaling vantage: “daily terminal collapses.”
characterless cloudlike cement: “arborescent body beast.”
bloody diploma ledge: “determination physical fountain.”
ACT NINE HUNDRED THIRTY THREE
seeing that since: “tribunal traces flat.”
distance or time: “victim accused blank.”
beginning to end: “national attention projection.”
a small stick: “soldier story totality.”
to be careful: “history myth expresses.”
to rely on: “steps machinery questions.”
be taken out: “objectivity depends subject.”
or something seems: “observers angle constructs.”
to watch what: “situates presence encircles.”
loop or loops: “marks disappeared defines.”
from earlier times: “fables trickles spring.”
in no way: “ground previously theories.”
scandalmonger carrion tonnage: “orchestrated object reduction.”
groove topple vividness: “tropical legume portal.”
determination fuzz devilment: “rift torrent newsprint.”
animate superior disband: “inguinal labor stand.”
herald insanitary lubber: “condiment ovid sponge.”
carelessness negotiate original: “cartoon apple buzz.”
revamp shackle lifetime: “periodic sanguine goat.”
topmost superciliously current: “shock cilia saturnine.”
wattage saturated crafty: “seminal prefatory embolus.”
archbishop specimen temporal: “gravy auctorial parch.”
authority prefab oleaginous: “garage penthouse camper.”
heavyset gambol electroplate: “unless heretical animals.”
ACT NINE HUNDRED ONE
I propose a critical, non-violent attack of text and sound upon The Corporate Form. — Michael Peters
mispronounced artifact gimmicks: “cadenza graves bush.”
paucity ironically canonical: “cherish collectible barely.”
congratulations array encore: “phrasal vibrant piano.”
capitulate drums pizzicato: “score canons gymnast.”
synchronicity spastic vibrancy: “artifice ironic disarray.”
careerists samplers phrases: “drummers spasm sample.”
recurring lamentable bares: “lament erased trails.”
documented erasures collections: “orchestral cadenced scatter.”
candor trills cherished: “apologetic tuneless shenanigans.”
shenanigans orchestrate brush: “candid documents recur.”
timeless cadence graves: “career synchronic capital.”
unapologetic scatters cadenza: “congregations paucity pronounced.”
ACT NINE HUNDRED TWO
Every text takes shape as a mosaic of citations, every text is the absorption and transformation of other texts. — Julia Kristeva
exhaltation canvas suicidal: “embryo dizzy spanner.”
psychological tempos lithe: “microscopic archetype modernist.”
doubt envelopes thesis: “brief testimonial lapse.”
laptop rare boggles: “doubtless psychology exalts.”
testimony merit collision: “canvassed temporal envelope.”
brevity reprehensible flares: “superstring stretched brane.”
postmodern dynamic postmodern: “enclosed stringy theory.”
archetypal market parlor: “dynamite marketing replica.”
microscope replaces tone: “justice brokered fetters.”
span just faces: “thesis collusion rarity.”
dizzying broken fugal: “postmortem parlous tonic.”
embryonic kettles groove: “facial frugal grove.”
ACT NINE HUNDRED THREE
The twentieth century, in its violence, has brought about the marriage of Poetry and History. — Hélene Cixous
bebop thirsts jeopardy: “culture proven fatality.”
fez shame goosing: “dreamed demotic mercy.”
homemade sobering concept: “risks flawed reduction.”
redux traps explanation: “homeland fizzle shopping.”
flawless contrast colludes: “first harmless saber.”
tasks placate uptempo: “traipse context plasm.”
mercifully drinker wounds: “shrinking funk memento.”
thematic chunks wounds: “documents tsunami disaster.”
deemed momentum bugle: “failed narration schedule.”
fidelity documentation schedules: “bungled sounds found.”
disproved tsunami narrative: “temporal collusion explicit.”
cultural roster failure: “conceptual guess jalopy.”
ACT NINE HUNDRED FOUR
I’ll not write any poem of acquiescence. — René Char
genre lifeboat stutter: “textual kelp gloss.”
deposits drudgery interstellar: “dizzy sparse starlings.”
gorging pews jelly: “pristine coliseum jasmine.”
jazz secretion weasels: “gorgeous disposition generous.”
colossal prattle exhibitionist: “living smudged spews.”
presto fools errands: “sedition rattling tools.”
starlight indulgent walnuts: “indigent mantle impervious.”
spores maneuvers cavorting: “brutal vanity smog.”
giddy pervade tonic: “stuttering stellar belly.”
glossolalia brutish magma: “greased exhibit errata.”
yelps vainglorious loops: “walrus cavernous phonics.”
textbook smug brogue: “plasma snoops rogue.”
ACT NINE HUNDRED FIVE
I’m trying to write the modern world, which requires rewriting it. — Leslie Scalapino
randomness package saddler: “tentacle receding onward.”
tantalizing nuggets obstacle: “glistening spagyric lips.”
ivory tower proceeds: “manifest nothings vermeer.”
amplification backward onion: “phoenician spirit stiletto.”
manning shining listeners: “bet funereal conscription.”
spade a spade: “made spanning fictions.”
conspicuous drift flippers: “ironic tantalus random.”
funion alumni manipulation: “packaging nugget flowers.”
yet fleeting jugglers: “forward shimmering rift.”
dilettantes emergent nothings: “lovers of arts?”
spit bubbles snafu: “luminous feet merger.”
phonics sluge veneer: “biblical sluice ladder.”
ACT NINE HUNDRED SIX
All politics is made with texts. — Michel Butor
pagentry ultimately rimrock: “flock positrons alchemical.”
difference majority punch: “brokerage to punish.”
bouquet apparent splices: “salient tremor tweak.”
obstacles modish sugar: “billfolds diverse resonance.”
babbles gave muscles: “lurking pustule surety.”
humbug debris clunkers: “spiced lunch revenant.”
annoyance mocked resounding: “rigid blisters dice.”
phonemes juxtapositions divers: “sober genomes buoyancy.”
slobbering alchemy billboards: “hamburger bubbling octopus.”
diety broke beakers: “banquets different pages.”
listen to extremity: “ultimate multiplicity appearance.”
rigged penis sail: “modernist grave debriefed.”
ACT NINE HUNDRED SEVEN
Intuition can be trained. Appropriation is my way of training. — Scott MacLeod
genocide among writers: “fictional introspection front.”
prefab auteur heart: “editorial score flippant.”
token sneak potential: “rash quincunx fog.”
wunderkind lap dog: “potent art rewritten.”
fascist centrifuges quintet: “mutagenic wrenching plots.”
award material thrashes: “flip textual garbage.”
cardboard sequin flippers: “warden facile wonderment.”
texan warhead core: “broken prefatory genes.”
flopping neglects editions: “among automatic peaks.”
riot police fonts: “wrap fugitive materiality.”
wrench bombings retrospective: “sequential war relics.”
transmute beak fictions: “political bombs speak.”
ACT NINE HUNDRED EIGHT
To be at odds with his times — there lies the raison d’etre of the artist. — André Gide
fidelity applaud thunderclap: “sleek, credible tooth.”
mercenary polyester wasteland: “sleeping partitioned loops.”
chopper ham cement: “moth vintage maintenance.”
loathsome transaction mainstram: “inclement wastrel plunder.”
dwarfing that evinces: “clipped barking sings.”
successes nuclear behemoths: “apothecary punctuation rupture.”
corrupt hails retools: “cessation wharf loam.”
contrapuntal blurs credo: “shop mercantile vitality!”
hypothetical chromosome leek: “applesauce polysemous sham.”
rings gains lops: “transduced hat unclear.”
parking lot nutrition: “failure slurs chromatic.”
eclipses gulls jeepers: “reigning lottery null.”
ACT NINE HUNDRED NINE
It is not the crocodile’s job to yell: “Watch out for the crocodile!” — Henri Michaux
ivory vamp calligraphy: “beats flew antithesis.”
unspontaneous improv dong: “shrill communal electricity.”
disjunction thickest bores: “membranous null rack.”
clean happening flower: “parsed road cleanser.”
broad strokes drama: “disjunct spontaneous irony.”
intersperses weilding palette: “hopeful striped wedding.”
cracked feet cooler: “damp improvisational thicket.”
lulling new math: “rusty moose pension.”
brain anathema beanpole: “ideological hairless forks.”
electric trust uniform: “beak moth puller.”
community smoother hair: “pale dramatic flux.”
quill pen ideology: “scores longing graphemes.”
ACT NINE HUNDRED TEN
About the most originality that any writer can hope to achieve honestly is to steal with good judgment. —Josh Billings (Affurisms, 1865)
kristevas texts take: “gandhi spiders furnished.”
shapes careering shocks: “aggregate flotation twigs.”
form fitting windtunnels: “exilic guardian bluster.”
blasting would dynamic: “from ships cistern.”
regardless mosiac turd: “text careening flutters.”
exiting bares anal: “wounded mosque barrens.”
stigmata brunt pictograph: “burnt into totemic.”
notation to pictorial: “truthful thickets cognition.”
assay to photo: “plots jagged quotations.”
finish trooper citations: “phoneme, picture, grapheme.”
speeding tickets pegged: “banal worlds dynamism.”
gauges recognition plops: “funnels shocking taste.”
NINE HUNDRED ELEVEN
The more plural the text, the less it is written before I read it. — Roland Barthes
chars every character: “once his heart.”
lettermen boldprinting embracing: “implicitly poems want.”
bounds rites contrary: “ravenous poetics quiescent.”
claiming writs instances: “sings heard door.”
inescapable gangbang or: “stands contrarian braced.”
its martian hes: “chances everted charter.”
characterizing lipserving kings: “writes rogation unwittingly.”
common tongues queens: “what comatose ratchet?”
twats only poem: “his escarped lamentations.”
unwritten is brave: “boundary letteral chance.”
notation he wont: “verbal, printed rituals.”
write complicit poem: “tongues motion swerve.”
ACT NINE HUNDRED TWELVE
Connections between unconnected things are the unreal reality of Poetry. — Susan Howe
scalapinos modern world: “noon laudanum zone.”
requires pronouns rewritten: “drifts requisite meanings.”
trying rewrites tying: “hogman maxey hammer.”
down inside outside: “letters cloven word.”
accordingly left leaving: “sounds calling lions.”
times getting later: “sets modal thin.”
than presents hogtie: “rhymes chordal dawn.”
modern writs requirements: “tryst requiem scalp.”
unsettling first drafts: “mode prolegomena rite.”
billions to one: “outside cleft bets.”
cancelling last laughs: “presently wrist fist.”
second to none: “tone clast tonic.”
ACT NINE HUNDRED THIRTEEN
To give the theatre its true measure, which lies in going to excess, the words themselves must be stretched to their utmost limits, the language must be made almost to explode, or to destroy itself in its inability to contain its meaning. — Eugene Ionesco
cixous marriage is: “an other self.”
anniversary as caveman: “ as same since.”
fucking by todays: “sense others once.”
parkbench is violence: “remainder as telephones.”
as condo mans: “spin historicity poets.”
sucking by cavemans: “clench truckers gas.”
benchmark is likewise: “pork flocking vestibule.”
poetry is likewise: “suit martial cash.”
history if ones: “but incommunicado bistro?”
in the ether: “historical gifts, then?”
ones the same: “serious sarx buckles.”
as the other: “serial animist flicker.”
ACT NINE HUNDRED FOURTEEN
Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness - and our ability to tell our own stories. Stories that are different from the ones we're being brainwashed to believe. — Arundhati Roy
peters corporate form: “words ripe, attached.”
is neither as: “much as either.”
such it welcomes: “corporeal weather, spit.”
attacks of any: “love, or knot.”
stripe or make: “love abounds, nudged.”
work hot air: “read tempest foams.”
sense of purpose: “porous proper width.”
texting sounds full: “cooks null purposive.”
filling fudged books: “fair lake anima.”
and heads with: “combs lash norm.”
ambient tempers proposals: “porous ambiguity hand.”
corporate form incorporates: “full textual, spent.”
ACT NINE HUNDRED FIFTEEN
There is no proof that the flea, which lives on the mouse, is afraid of the cat. — Henri Michaux
butors all politics: “wide, sly horses.”
made with texts: “meals wreckage, grub.”
politics make text: “spelling induced production.”
made with sand: “towards totalized conduction?”
blown by wind: “adduces clock, wanders.”
all houses with: “if finding, stands.”
cards deal hands: “next textured politician.”
on deck cock: “futile facsimile bonding.”
tease glib seduces: “grease once bards.”
binding spells reducing: “fallen lawn, shade.”
facile reductions to: “political, faded buttress.”
facile reductions to: “small pith cake.”
ACT NINE HUNDRED SIXTEEN
A word is a bottomless pit. — Lyn Hejinian
macleods training way: “feeling steadies theory.”
appropriates being in: “seeps randy cries.”
world with eyes: “short histories fit.”
open calling seeing: “eyes whispering culls.”
His way instead: “knotty gist sway.”
of saying the: “love this, openly.”
Way he sees: “words pirate clouds.”
is his and: “raining beings, just.”
not his eyes: “falling wayward splay.”
calling the shots: “hearts justice is.”
his so his: “then soaking ash.”
I has it: “anyway thinly why.”
ACT NINE HUNDRED SEVENTEEN
What I want of my art I can eventually find. The work must go beyond this. — Eva Hesse
gides odds times: “as also buoys.”
describe millions high: “conical breath dance.”
tides ravage living: “arts give showing.”
on streets working: “cleave drier prosthetics.”
in cubicles undergoing: “needs workers leaving.”
chemo pulling weeds: “once giving, deft.”
hungering slaving prostituting: “lining hurtles lunging.”
hurting waiting crying: “chemical, then gone.”
pining loving leaving: “wide inscriptions glide.”
left coming going: “sadly mulling savagery.”
living breathing lives: “sheets icicles puling.”
everyones an artist: “lavish bait, gloves.”
ACT NINE HUNDRED EIGHTEEN
May words cease to be arms; means of action, means of salvation. Let us count, rather, on disarray. — Maurice Blanchot
michaux croc hasnt: “knotted huts, sleeping.”
any need to: “clatter tall selves.”
yell least of: “loves to haunt.”
all about itself: “looking leaves having.”
most of all: “the flits fit.”
is the fatter: “his ghost mall.”
it gets keeping: “spells zany mischief.”
its trap shut: “flock seed yeast.”
the crocs not: “about love, then.”
having a job: “sets trap box.”
leaves henris argument: “as many forks.”
looking for one: “once agreement sobs.”
ACT NINE HUNDRED NINETEEN
The act of writing poems, we all know is a revolutionary act. And mailing is now also the activity of the revolution only. — Mike Basinski
conjoin alternates drowsiness: “copy write phoneme.”
numerology spokes madhouse: “manifold binary toxins.”
writers for sources: “alfalfa dispassionate teleportation
tetralogy ceramics papers: “exorbitant mantic capers.”
visceral blockage shaman: “resourceful mud dowsing.”
karate meditation exorcist: “rest dish bird.”
thirsty knocks telepathy: “fiscal noun thirst.”
nowadays proper passion: “crate viscera logic.”
financially fake phenomenon: “written numbers jointly.”
birdbath copyright alzheimers: “tunes spoken forks.”
dishonest microphone toxicity: “ramous locks mediate.”
restroom manipulated bicycle: “not pepper cake.”
ACT NINE HUNDRED TWENTY
A line of poetry is a chance to get rid of all the filth that clings to language, to get rid of language itself. I want the word where it ends and begins. Dada is the heart of words. — Hugo Ball
The true Dadas are against Dada. — Tristan Tzara
twists monotony permits: “flammable throngs mutation.”
propel concocts bludgeon: “dolorous reading flutters.”
orientalist bunting triptych: “porous salient drone.”
brilliant yells clone: “trickles blood persuasion.”
saccharine pointillist saliva: “imminent fluxus loiterer.”
gallops ambitions stupors: “smoked yucca panders.”
panda underscores flattering: “lopes marine chatoyant.”
impeccable regains heads: “rental pelican wistful.”
smudges sonority donor: “monochrome conducts blunts.”
cloying moonwalk citation: “sells pointed ambergris.”
defuses throats songs: “excoriate gainsaid sonorous.”
eminently hopscotch unconsumable: “moody goats couch.”
ACT NINE HUNDRED TWENTY ONE
We can move no faster than the evolution of our language. And this is certainly part of what the psychedelics are about: they force the evolution of language. And no culture, as far as I am aware, has ever consciously tried to evolve its language with the awareness that evolving language was evolving reality. — Terence McKenna
magazine into tunnels: “scumbled, where trickles.”
changing bad writing: “manic phases stand.”
printed skewed senses: “decoy brackets morpheme.”
progressed bullshit crowns: “mentation presently subcultural.”
deriving folksingers autopsy: “topical around sensitive.”
psychedelic collage subwoofer: “rewriting funnels into”
hippie to present: “more precisely, past.”
whistling scum augmentation: “gopher cocaine lash.”
redundance werewolves choreography: “dance bristling psyche.”
lathe gastric sockets: “rivers undressed print.”
karaoke panic decal: “clanging zines balding.”
gorilla laser glands: “askew folks montage.”
ACT NINE HUNDRED TWENTY TWO
Metaphor is the insertion of (possibly) random items within multiply ambiguous syntactic frames. — Jean-Jacques Lecercle
fleas chutney winner: “apricot versus onion.
renaissance sightings uproars: “hatchet edge catholicity.”
unspooled twitch murky: “woody guthrie guitar.”
nautical volcano deferment: “machine kills fascists.”
discards erudite buzz: “photo from 1940.”
craters walnuts echelon: “magnanimous, ethical business.”
showbiz seamlessly monastic: “watery cardiac nautilus.”
gothic rehearsal click: “artery cadillac autism.”
smegma lecture corrosion: “artillery camellia auteur.”
wasps nadir boogie: “artisan pillow authority.”
wedge superhero mycologist: “thinly upset perks.”
ratchets obese purgatorial: “defilement fuzzy eschaton.”
ACT NINE HUNDRED TWENTY THREE
The advantages of civilization are offset by the way men profit from them: men today profit in order to become the most degraded beings that have ever existed. — Georges Bataille
cathedral snake skin: “shave the razor.”
edit jettisoned barge: “coastal droops shimmer.”
chrome gulps consensus: “belief platters sensorium.”
cloverleaf moments splatters: “bricolage rogue parking.”
brainwashed to believe: “tarmac host pickled.”
bombardment opt shimmy: “bombs reign over”
prickles circumnavigate drones: “roman diction cathected.”
roast buzzcut charcoal: “snack jetsam gulfs.”
tartan echoes disingenuous: “momentary true cops.”
sparking naked calliope: “circumspect fuzzy shoes.”
renegade preservatives snuff: “cake servitude fiddle.”
brack riddle razor: “sniff collagen generative.”
ACT NINE HUNDRED TWENTY FOUR
Definition: ‘Pataphysics is the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments. — Alfred Jarry
hanging gather solar: “facticity brackish sharpie.”
collage malls scrapes: “loss pithy freckles.”
bee ocean eyeball: “codes toque salted.”
rubber band acidic: “irenic grape soda.”
metal regret ashes: “opines clash acid.”
hospital game opaque: “fire printers golem.”
absorbers broilers assaults: “jests several adverts.”
severed passivity torque: “hospice mentally robber.”
jeers hawk coda: “beans collegial fang.”
mongoloid vacuum necklaces: “rather tall panopticon.”
printshop embraces pity: “bonds remit same.”
free sharpness lockstep: “roiling passage jaws.”
ACT NINE HUNDRED TWENTY FIVE
Since I make the rules, I also feel free to break them. — Rosmarie Waldrop
dirigible lip yields: “yields thrill sequencing.”
bottomless pit alleges: “yields suffocations elected.”
hellish volumes gatekeeper: “yields enhances receding.”
savage thickness revolutionary: “yields drunken capsules.”
capsules haven playbacks: “yields savage hells.”
dunks genesis pervades: “yields bottomless dirigible.”
receding skulls texture: “yields lip pit.”
enhances tonality gongs: “yields volumes thickness.”
elected tourniquets lisps: “yields haven genetics.”
suffocations salty respun: “yields skull tonality.”
sequencing claws exotica: “yields tourniquets faultline.”
thrill seeker birthmark: “yields laws seeker.”
ACT NINE HUNDRED TWENTY SIX
All theory is safest ascribed in retrospect. — Lyn Hejinian
deprive of oxygen: “deprive of crisis.”
can be trained: “deprive of piracy.”
heart of words: “deprive of diagnosis.”
absentmindedly telephoto hiccups: “deprive of avant.”
colitis urban bulk: “deprive of sheep.”
may words cease: “deprive of emergence.”
radiation slippery tweets: “deprive of heliotaxis.”
choruses python jetstream: “deprive of slippers.”
diagnostic helicopter voids: “deprive of worlds.”
orchestra emergency average: “deprive of hiatus.”
parasite shepards motif: “deprive of membranes.”
crisis avant quakes: “deprive of oxyrhynchus.”
ACT NINE HUNDRED TWENTY SEVEN
There is always something grammatical about delirium, and there is always something delirious about language. — Jean-Jacques Lecercle
time sensitive typhoon: “yours meaning cut.”
ball drop cheers: “cuts morse slips.”
addicted to slayed: “traps cut monad.”
dick clark philosophy: “toehold theosophical cut.”
ventiloquism spiriitual hoedown: “cuts layered hears.”
kirkuk bean gonad: “sensitive cut drapes.”
corpse flag jockstrap: “dark spirals cut.”
champagne rastafarian hips: “cut meaningful flags.”
attitudes for more: “pasta cut forked.”
smile cold cuts: “sold mulling cuts.”
photos millions me: “cut glut hippie.”
hippi glue yours: “photogenic cut simile.”
ACT NINE HUNDRED TWENTY EIGHT
support is boosting: “cage swanlike peugeot.”
rebels sign peace: “ostracism hairy sphinx.”
message of democracy: “heresy catchword neither.”
as home demolitions: “warmonger airtight analyst.”
so many supporters: “stub foliate digest.”
speech after speech: “caption fascist bassinet.”
goal of statehood: “lubricant matchmaker faculty.”
assault rifles hoited: “bike syringa ligature.”
most wanted man: “rampage stencil mailman.”
to thunderous applause: “apparatus calcined furtive.”
publicly to urge: “fleck stifle grasp.”
urge a halt: “pygmalion bride crux.”
ACT NINE HUNDRED TWENTY NINE
during previous rounds: “filmmaker query mask.”
and natural wealth: “dysplasia tussle cavalry.”
not acted to: “landlord downriver quay.”
to the pledge: “swordplay pepper launch.”
them and how: “magnet dialectic religion.”
had not spilled: “sear textual toward.”
responsible for implementing: “puddle cusp deceptive.”
cleared the way: “thespian servitude athlete.”
embraced by gunmen: “hydrant depict augustine.”
would be funded: “downgrade cedar sinewy.”
ACT NINE HUNDRED THIRTY
president thinks his: “garage telepathy exit.”
adds to memory: “lenient gloss amble.”
fresh pledge from: “octopus attentive insulin.”
efforts shifted into: “dismal liturgy wooden.”
rain fell over: “chime squalid caloric.”
to the joy: “aerosol common chicken.”
from the skys: “chicory soapsuds fixture.”
helicopters touching down: “cranium string onion.”
big and small: “infield cranberry droplet.”
triggering flash floods: “instinct treetop motley.”
death toll from: “sunken cortege medici.”
full of grace: “trilobite carnegie pendant.”
ACT NINE HUNDRED THIRTY ONE
anthropologists wall blood: “schema and face.”
personal tsunami chat: “yardangs public persona.”
mystery kangaroo ricecake: “singularity skin anybody.”
bathtub murderer storage: “thinks multitude broken.”
knock him out: “uneven fragment between.”
smashed wind underwear: “cut symbol smooth.”
mary poppins candidly: “key becomes nothing.”
world leaders try: “abstract, hollow statesmen.”
thugs is poor: “noisy beyond growth.”
odyssey under attack: “green, indeterminate nuances.”
brutal liars vote: “thoughts think nothing.”
commander danger increase: “crossroads weather blank.”
ACT NINE HUNDRED THIRTY TWO
piston poultry stump: “skin map gravel.”
glut valuables applause: “saturated chaos progressive.”
blind fetus pump: “entire narratives mad.”
students trim utopian: “channels sound oblivion.”
valedictory utensil valence: “history like hues.”
visionary hudrogen cowpox: “opposite culmination surplus.”
discharges graduating hedges: “heaping books forgetting.”
uterine implement farewell: “clear, wrinkled antiquity.”
commencement atoms vapid: “gnarled hand difference.”
embryo inhaling vantage: “daily terminal collapses.”
characterless cloudlike cement: “arborescent body beast.”
bloody diploma ledge: “determination physical fountain.”
ACT NINE HUNDRED THIRTY THREE
seeing that since: “tribunal traces flat.”
distance or time: “victim accused blank.”
beginning to end: “national attention projection.”
a small stick: “soldier story totality.”
to be careful: “history myth expresses.”
to rely on: “steps machinery questions.”
be taken out: “objectivity depends subject.”
or something seems: “observers angle constructs.”
to watch what: “situates presence encircles.”
loop or loops: “marks disappeared defines.”
from earlier times: “fables trickles spring.”
in no way: “ground previously theories.”
posted by jim leftwich at 7:13 PM
